Cecelia Frey's "Ode to Fireworks During Stampede"

by Shaun Hunter


Calgary Through the Eyes of Writers

Fireworks over Calgary (Photo: Calgary Public Library, Postcards from the Past)

The poet sits atop Nose Hill watching the Stampede fireworks. She surrenders to the “electric air,” sees in the darkness “night flowers/blossoming/gone.”

 

I imagine the trillions of human beings

that exist, have existed, will exist

marching through pre-history

history, post-history

imagine them as spurts of colour

jetting into the sky

flowering, facing

disappearing

as black takes them

absorbs them

but there is always another

another

and another flower opening with such intensity

 

Cecelia Frey, “Ode To Fireworks During Stampede,” Under Nose Hill (Bayeux Arts, 2009)


Dymphny Dronyk's "What Beer Can Do"

by Shaun Hunter


Calgary Through the Eyes of Writers

Stampede square dancers, 1982 (Photo: Rainer Halama, Wikimedia Commons)

Nashville North. The air is thick with the “sweaty cologne of drugstore cowboys/with undertones of puke,” and she’s dancing.

 

Shine my buckle, baby, he yells in my ear,

pulls me tight against him,

and two-steps me around backwards,

sloooooooow, sloooooooooow, quick-quick

one body with too many feet

we stumble, no gliding here

 

Dymphny Dronyk, “What Beer Can Do,” The Calgary Project: A City Map in Verse and Visual (Frontenac House, 2014).