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Shaun Hunter

Writer & Literary Historian

April 12, 2016

An East Village Reading List

by Shaun Hunter


Pearl Miller's house at 526-9th Avenue SE. The literary history cabaret, Writing the East Village took place at Loft 112 (535-8th Ave SE) directly to the north of the site where Miller ran her brothel in the 1920s. (Photo: Calgary Public Librar…

Pearl Miller's house at 526-9th Avenue SE. The literary history cabaret, Writing the East Village took place at Loft 112 (535-8th Ave SE) directly to the north of the site where Miller ran her brothel in the 1920s. (Photo: Calgary Public Library Alison Jackson Collection)

Pearl Miller's house at 526-9th Avenue SE. The literary history cabaret, Writing the East Village took place at Loft 112 (535-8th Ave SE) directly to the north of the site where Miller ran her brothel in the 1920s. (Photo: Calgary Public Librar…

Pearl Miller's house at 526-9th Avenue SE. The literary history cabaret, Writing the East Village took place at Loft 112 (535-8th Ave SE) directly to the north of the site where Miller ran her brothel in the 1920s. (Photo: Calgary Public Library Alison Jackson Collection)

Many of these works were featured at Writing the East Village: A Literary History Cabaret held at Loft 112 on March 29, 2016.

Early Days

Sir Cecil Denny, The Law Marches West (Dent, 1939)

Cheryl Foggo & Clem Martini, “Chapter Six,” Noir on Eighth (yycpennydreadful.ca, 2015)

Between the Wars

Nancy Jo Cullen, “526 – 9 Avenue SE,” Pearl (Frontenac House, 2006)

Deborah Willis & Kris Demeanor, “Chapter One,” Noir on Eighth (yycpennydreadful.ca, 2015)

Roberta Rees, “Iodine,” Long After Fathers (Coteau, 2007)

1970s/80s

Karen Connelly, “To Strike the Eye and Sound the Heart,” in Last Call (Rocky Mountain Books, 2010)

Bruce Hunter, “The Many Happy Returns of Kenny Dawes,” Country Music Country (Thistledown Press, 1996)

Contemporary

Max Ciesielski & Kris Demeanor, “One Dime at a Time,” Shelter from the Storm (CD, 2015)

Karen Connelly, “Shelter on the Banks of the Bow,” Come Cold River (Quattro Books, 2013)

Rosemary Griebel, “Walking with Walt Whitman Through Calgary’s Eastside on a Winter Day,” Yes (Frontenac House, 2011)

Rosemary Griebel, “Of Memory and Place: East Village,” (unpublished, 2014)

Jill Hartman, “Simmons Ltd. Beds Mattresses Springs Pillows,” A Painted Elephant (Coach House Books, 2003)

Aritha van Herk, “Rough,” In This Place: Calgary 2004-2011 (Frontenac House, 2011)

George Webber, Last Call (Rocky Mountain Books, 2010)

Robin van Eck, Rough (Stonehouse Publishing, 2020)

 

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April 12, 2016

Writing the East Village: A Literary History Cabaret

by Shaun Hunter


Sidewalk stamp from the King Edward Hotel. The stamp is gone, but the King Eddie remains in its new incarnation as part of the National Music Centre (Photo: Courtesy of the Calgary Public Library Community Heritage and Family History Collection)

Sidewalk stamp from the King Edward Hotel. The stamp is gone, but the King Eddie remains in its new incarnation as part of the National Music Centre (Photo: Courtesy of the Calgary Public Library Community Heritage and Family History Collection)

Sidewalk stamp from the King Edward Hotel. The stamp is gone, but the King Eddie remains in its new incarnation as part of the National Music Centre (Photo: Courtesy of the Calgary Public Library Community Heritage and Family History Collection)

Sidewalk stamp from the King Edward Hotel. The stamp is gone, but the King Eddie remains in its new incarnation as part of the National Music Centre (Photo: Courtesy of the Calgary Public Library Community Heritage and Family History Collection)

"I felt like I was seated in the centre of a landscape watching an open train filled with characters travel through time and space around me." 

This is how Calgary author Cheryl Foggo described Writing the East Village, a literary history cabaret I organized last month along with Lisa Murphy-Lamb at Loft 112. A standing-room crowd of readers, writers and East Village residents gathered to explore one of Calgary's oldest and most storied neighbourhoods.

The evening started out with a view of the pristine landscape at the confluence of the Bow and Elbow rivers in 1875, and ended with a song written last year in a collaboration between Kris Demeanor and residents of the Calgary Drop-In Centre. 

In case you missed the cabaret, I've posted a list of the works featured that night – and a couple of photographs of what was a magical evening of story and history.

And thanks to our fabulous guest authors and readers:  Kris Demeanor, Zoey Duncan, Cheryl Foggo, Gina Freeman, Steve Gin, Rosemary Griebel, Jill Hartman, Lisa Murphy-Lamb, Roberta Rees, William Taylor, Aritha van Herk and John Veldhoen. 

(Photo: Blair Carbert)

(Photo: Blair Carbert)

(Photo: Blair Carbert)

(Photo: Blair Carbert)

 

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April 4, 2016

Writing the City: in the news!

by Shaun Hunter


Thanks to Jennifer Friesen at Metro News for  this fine piece about Writing the City: Calgary through the Eyes of Writers.  

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February 13, 2016

Words. West.

by Shaun Hunter


Detail from an exposed basement wall in the historic Canton Block in Calgary's Chinatown (Photo: Shaun Hunter)

Detail from an exposed basement wall in the historic Canton Block in Calgary's Chinatown (Photo: Shaun Hunter)

Detail from an exposed basement wall in the historic Canton Block in Calgary's Chinatown (Photo: Shaun Hunter)

Detail from an exposed basement wall in the historic Canton Block in Calgary's Chinatown (Photo: Shaun Hunter)

On February 8, 2016, I had the privilege of moderating a Fireside Chat with authors Brian Brennan, Sharon Butala and Ruth Scalp Lock. Here are my introductory remarks. 

 

Words. West.

I like those two words, and I particularly like the sound of those two words together. Over the past couple of years, I have been thinking a lot about a variation of tonight’s theme: “Words West/Calgary.”

Calgary author, Aritha van Herk says: “A Calgarian is someone surprised to hear herself say the words ‘I’m a Calgarian.’” Some of you may have a different experience, but for me, those words ring true.

I’ve lived most of my life in this city, but I’ve only recently started to think of myself as a Calgarian. My relationship with the city is complicated, and part of that complication has to do with rarely if ever seeing the city imagined in the pages of a book.

A couple of years ago, I decided to do something about it. I started tracking down and reading Calgary stories. I set out to see how writers had captured the city in their novels and short stories, their poems, essays and memoirs. What could those stories tell me about my relationship with this city, and ultimately, what could they tell me about Calgary itself?

I quickly discovered that novelists and poets, essayists and memoir writers have been writing Calgary stories for a long time: all I had to do was go looking.

Last summer, my reading project turned into a weekly blog series called Writing the City: Calgary Through the Eyes of Writers. The blog has turned out to be a wonderful and surprising treasure hunt through Calgary’s 140-year history and across its geography.

Over the past months, the blog has featured: 

  • the English poet Rupert Brooke’s 1913 visit to Calgary at the height of one of the city’s first booms
  • the British novelist Graham Greene’s short story set in the Calgary suburbs circa 1963
  • Lori Hahnel’s novel about coming of age in the city’s punk rock scene in the early 1980s
  • Cecelia Frey’s “Ode to Fireworks during Stampede”

And many more.

Let me return to tonight’s theme: Words West.

What happens when we tune in to the stories that come out of the places we live?

Here are a few things I’ve noticed, as I read Calgary stories, and as I read the works of tonight’s panelists about the West.

When I see the West through the words of writers, I see the specific details of this place – a landscape that is richer than its stereotypes, a region more complex than its myths. I feel that wonderful hum of recognition, and at the same time, the challenge of looking beyond my own experience.

My curiosity clicks into gear.

When I accept a writer’s invitation to go back in time, I find out about things I may have forgotten, not paid attention to, or never known. I make connections between the life I am living now in the West and the history that precedes me.

Last, but not least: When I see the West through the words of writers and their stories, I experience a deepening in my own relationship to this place

So: Words. West. Two words – two ideas – that belong together.

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